I’d like to introduce you to sweet, sweet James. He is a very rare, early 17 inch Izannah Walker doll. I’ve written an article all about James’ story for Antique Doll Collector magazine, that is just now on it’s way to subscribers. In March the second part of my adventures with James will continue. In part two I will relate how James’ came to be named James, how I researched clothing styles for the large handmade wardrobe I am making him, where I hunt for antique fabrics, and how I draft patterns. I’ll also be sharing patterns and instructions for select garments in James’ wardrobe. The patterns are suitable for Izannah Walker dolls, and can also be resized to fit papier-mache, china, parian, and other types of cloth dolls from the mid- 19th century.
I’m sure you will fall in love with James. ❤ (It is a bit of a family secret, so please don’t mention it… James the little painted cloth girls favorite brother!)
If you don’t already have a subscription to Antique Doll Collector, and would like to buy either the February or March issues that my articles will be in, you may order them directly by calling 631-261-4100 or emailing firstname.lastname@example.org.
THIS RARE 17 INCH IZANNAH WALKER BOY IS AVAILABLE FOR SALE. HE IS IN ALL ORIGINAL CONDITION & COMES WITH A LARGE HANDMADE WARDROBE. SEE HIS STORY ON PAGE 18 OF THE FEBRUARY ISSUE OF ANTIQUE DOLL COLLECTOR. $46,000. INQURIES ATPAULA@ASWEETREMEMBRANCE.COM203-313-5973
Welcome to my New Year’s Day 2020 Pop-Up Shop featuring my newly completed Izannah Walker dolls, plus a handful of antique dolls for sale ❤ ❤ ❤
All dolls are sold on a first come basis. Please email paula@asweetremembrance to purchase or ask questions about any doll. I will go by the time your email is received if more than one person is interested in buying the same doll.
For all of my reproduction Izannah Walker dolls – prices include free shipping to any address in the continental U.S. Dolls are mailed via USPS Priority Mail and are insured for their full value. International Orders will be charged exact postage + a $10.00 handling fee for all international locations, except Canada, to help off-set the time it takes me to deal with customs forms – and in many cases the requirement that I actually take the package to the post office rather than scheduling it for pick-up.
Payment may be made via PayPal, credit card, layaway or personal check. Sales tax is 6.35% if I am shipping to a Connecticut address.
For all of the antique dolls – prices do not include shipping. Exact shipping and insurance will be charged. All sales final on the antique dolls because I don’t want to chance shipping them more than once, so PLEASE ask any questions you may have before you commit to purchase – thank you 🙂
International Orders will be charged exact postage + a $10.00 handling fee for all international locations, except Canada, to help off-set the time it takes me to deal with customs forms – and in many cases the requirement that I actually take the package to the post office rather than scheduling it for pick-up.
Payment may be made via PayPal, credit card, up 6 month layaway on items over $500, or personal check. Sales tax is 6.35% if I am shipping to a Connecticut address.
Reproduction Izannah Walker Dolls – ISABEAU NOW SOLD / ANDREW NOW SOLD
This is such a sweet group of dolls. The twins are the first dolls for sale from a brand new mold and Isabeau and Andrew are made from two of my all time favorite molds. All of these dolls have very colorful second skins. Isabeau’s in a deep raspberry pink and the boys all have a deep garnet red. Both fabrics are antique glazed cottons ❤
I don’t make all that many boy dolls, so these are a rarity. There is something just so sweet about little boys… though I may be prejudiced, as I am the mother of three boys… Every doll family needs a brother or two in amongst all the girls ❤
Andrew – $1250. SOLD
SOLD Andrew is a 17 inch tall boy doll made from my mold of Anna. He is dressed in antique red plaid with black cotton tape trim and has black painted boots with red tops in the iconic Izannah Walker boy style. Under his plaid dress he is wearing a chemise, short pantalettes, and a petticoat.
Twin Boys – $2500
The twins are made from a new mold and are the first dolls from this mold that I am offering for sale ❤ They are 18.5 inchs tall and are also dressed in red plaid dresses with black cotton tape trim. They have dark green painted boots, which is very rare and the original color of the boots on the antique doll they modeled after. They have chemises and also come with matching plaid pantaloons. I was contemplating making them a pair of winter dresses and matching pantaloons from an off-white antique fabric printed with black and red riding crops and horse shoes. If their new mom is interested in a 2nd set of clothing for them, the additional cost would be $500, and bring their total price up to $3000.
Isabeau – $1250 SOLD
SOLD Isabeau is 18 inches tall and has the worn, aged paint surface of the original antique Izannah Walker doll that her mold was made from. She has black painted boots with red stripes around the tops, and is wearing a chemise, pantalettes, a petticoat and a long sleeved dress made from antique brown fabric.
Large 40 inch Martha Chase Hospital Mannequin in original condition, wearing a wonderful early 20th century romper suit. $250 plus shipping.
20 inch Blonde Parian doll with outstanding pink body!!! The only clothing she has are pantalettes and a petticoat that someone made for her about 30 years ago, so what she truly needs is a nice set of antique clothing $595. plus shipping.
SOLD 19.5 inch Columbian Doll in original condition and original clothing! The ruffle on the back of one sleeve needs repair. This is an amazing doll $1750 plus shipping SOLD
Truly outstanding one of a kind, hand made folk art doll, 25 inches tall $775plus shipping. This is a wonderful doll, dressed in her original clothing. There is slight sun fading to parts of her dress and she does not have shoes.
A small Pop~Up Shop to celebrate the New Year! Tomorrow, January 1st, here on http://www.izannahwalker.com at 1:00 p.m. Eastern Standard Time. I will be posting some of my newly completed reproduction Izannah Walker dolls and a handful of antique dolls too!
For day 6 of my Izannah Walker Birthday Celebration I thought it would be fitting to talk a bit about the way the dolls are made and share with you my article about Izannah Walker and her dolls, which originally appeared in the September, 2017 issue of Antique Doll Collector Magazine.
If you have any questions, you may comment below or email me at email@example.com.
Please respect my copyright of the following article and photographs. Do not reprint or share any portions or the entirety without my explicit permission. Thank you ❤
Izannah Walker and Her Dolls by Paula Walton
For more than 80 years, doll lovers and historians have been writing about Izannah Walker’s dolls. What is it about these handmade painted cloth dolls that have made them so beloved by generations and cause them to command such high prices today, 200 years after the birth of their maker?
The reason for their great appeal varies from person to person, but the prices the dolls fetch when sold indicate how dearly they are loved. In the 1860’s, the dolls were reported to have sold for up to $10, the equivalent of $264 today, which made them a very expensive plaything. Recently a 17” Izannah Walker boy doll sold for $41,250 at a McMaster Harris auction, proving that they continue to be quite costly and greatly desired.
I am particularly drawn to Izannah’s pre-patent dolls, meaning those made before she applied for and received her 1873 United States patent. Izannah Walker had a very lengthy doll making career, from age 28 until her death at age 70. It is very interesting to examine her dolls and see how they developed and changed during those 42 years, while still maintaining their essential look and design.
It is quite difficult to accurately date an Izannah Walker doll, as the pre-patent dolls were not signed or labeled. In the best instances, it is possible to trace the date a doll was made by researching the doll’s original owner. Fortunately, several dolls have survived along with records of their young playmates. A few examples of such dolls are the c. 1861 Izannah Walker doll originally owned by Mary Estelle Newell, and accompanying photograph of the child and doll now in the collection of The National Museum of Toys/Miniatures; the c.1857 doll given to Helen Marshall by her aunt, Elizabeth Pinkham Crosby, currently in the collection of the Nantucket Historical Society; a doll named Ella, given to Elizabeth Coggeshall Pope of New Bedford, MA when she was born on October 26, 1857, sold by Withington Auction In October, 2008; a c.1865 doll originally owned by Mary Whitney Carter of Pawtucket, R.I., auctioned by Theriault’s on April 9, 2011.
Another method of attempting to date Izannah’s dolls is by searching for them in period photographs. Finding only a photographic image, without an accompanying doll and family history, is problematic. Often the photographs do not have a date or the name of the child pictured in them. Izannah Walker dolls can be found in rare daguerreotypes, ambrotypes, tintypes, cartes de visite (cdv), and even in at least one stereograph. Without a date on the image, it is necessary to try and find a birth record for the child in the portrait, if the child is identified.
Failing this option, the next possibility is trying to date the image by the method used to capture it. Daguerreotypes were made from 1839-1860, although most daguerreotypes we see today were made after 1845. Ambrotypes were developed in 1851; they became more popular than the daguerreotype and virtually displaced it by 1860. Ambrotypes waned between 1861-1866 as they were steadily replaced by tintypes. The tintype, developed in 1853, was most widely used during the 1860s and 1870s, though lesser use persisted into the early 1900s. Cartes de visite were introduced in New York in late summer of 1859. The Civil War gave them enormous momentum as soldiers and their families posed for cartes before they were separated by war. Lastly, by 1860, both amateur photographers and publishing firms were making stereographs, which are still being made today.
So you have all of these different methods of photography with over lapping time frames, which means that you can broadly calculate when the photograph of the doll would have been taken by identifying the method, but can’t really pinpoint an exact year. The final hope for dating a daguerreotype, ambrotype, and some tintypes is studying the components of their cases and trying to narrow the time range based on when the separate parts of the case were made.
To make the quest of dating even more of a challenge, throw in the possibility that the Izannah Walker doll, in the photograph you are trying to date, may have been a studio prop owned by the photographer! Nick Vaccaro, a noted collector and dealer of early photography, had a portion of his collection displayed in the exhibition, Forever Young: Victorian Photographs of Children and Their Toys at The National Museum of Toys and Miniatures. Mr. Vaccaro related that it was common for photographers to have a box of toys in their studios to help keep children still while being photographed.
For daguerreotypes in particular, the exposure time took anywhere from a few minutes to as long as 20-30 minutes for very large images. Sometimes the photographer would place iron stands or armrests behind the sitters to help keep them still. In the case of young children, you will sometimes see a mother, completely covered by a length of fabric, holding her child. You will also find blurred images when the children moved. So it is no surprise that a photographer would want toys to keep a child interested and entertained while they had to sit in one position.
From all accounts Izannah Walker was a very enterprising woman. I can picture her approaching photographers and offering her dolls for sale. After all they were very attractive and most importantly unbreakable! The difficulty here lies in the fact that there is no way to tell just how many years a doll may been in the prop box when the photograph was taken. The same issue exists with portraits of children holding family dolls, as without additional information, it is impossible to know if the doll previously belonged to an older family member.
All of the Walker pre-patent dolls have molded cloth heads, with an outer layer of stockinette. The heads were made in two halves and joined by a seam that runs behind the ears. The mold for these dolls stops at the neck. The neck edge was sewn onto a woven cloth shoulder covering that usually has a seam down the center back. The bottom edge of the shoulder covering is sewn to the doll’s body; the second skin comes up and covers this stitching line. The “second skin” was most often made from cambric, a closely woven plain weave cloth of linen or cotton, with a smooth, lustrous, heavily sized finish that was commonly used as lining fabric in the 19th century. The dolls’ arms and hands are cut as one piece, with a seam line running down the inner arm; thumbs were applied separately. They have a stitched upper arm joint, much higher than normal for an elbow. Their legs are also cut as one piece, with the seam line almost always running down the inner leg. The legs have stitched knee joints and a seam line at the ankles where the pieces for either bare feet or boots are attached.
Izannah stated “These parts (arms and legs), if thought desirable, may be made with advantage in a similar manner to that above set forth for making the head, neck and body.” in her patent information, however I have never seen a pre-patent doll, or the few patent label dolls that I have examined, with arms or legs that were pressed in molds.
Izannah Walker clearly used many different styles and sizes of molds to make heads. Finished dolls ranged in size from 14 to 29 inches. Because pressed cloth heads are more yielding and malleable than molded heads made from china, bisque or papier-mache, that means even heads made from the same mold can have a slightly different appearance. Izannah and Jane Walker, along with their aunt, Jane Hintz, experimented with new ideas and techniques. You can find a few dolls with eyelashes, one or two with the slight remains of a wig/rooted hair, etc. As a doll maker, that is exactly what I expect to see in any handmade item being produced by a single person or small group of people over a long period of time. These differences are one of the things that make the Walker dolls fascinating to study.
All of the dolls were intended to be children. Their original clothing would have had short, not full length, skirts. People often find 19th century children’s hair styles confusing, since both young boys and girls wore dresses. Boys had side parted hair, and girls’ hair was parted in the middle. This is true for children in paintings, photographs and for Walker dolls. When you see a pre- patent Izannah Walker doll with tall painted black boots that have a red top in the front, it is a boy. Her girl dolls with painted footwear have boots that lace up the front or have scallops around the top edge and painted “buttons” on the sides. A few rare dolls have low topped painted shoes. Bare feet are less common. I have yet to find an example of a barefooted boy.
For more than twenty-five years, I have researched, examined, owned, restored, and reproduced Izannah Walker dolls. During that time I have been able to put together a very loose timeline of when certain construction methods and stylistic changes took place. These are the markers that I look for if I am trying to estimate the age of a doll. They are not cut and dried changes. There are certainly exceptions to this timeline, but it is a good starting point when examining a Walker doll.
Izannah’s earliest dolls, beginning in 1845 and ending sometime before 1855, have faces that are a bit longer and slightly square in appearance. The dark brown painted lines surrounding their eyes and eyelids are very thin and fine, without a lower lid line. Highlights in their irises are fainter to non-existent. Their ringlet curls are painted in a more primitive folk art manner. They have slightly broader, flatter noses, and much longer arms with slightly larger hands. Their bodies have wider waists and hips, with a body covering that is generally made from white or pale pink linen cambric.
The dolls have a distinctly different look from approximately 1855 until a point prior to 1861. In this middle period the doll’s faces become more round, with a slightly narrower nose that has a more pronounced, rounded tip. The modeling of their lips is also more rounded. Their eyes have a curved, more deeply set appearance, with very thinly painted outlines, more often painted black than brown. Lines for lower lids appear. Lighter highlights are painted on the irises, mainly underneath the pupil. The painting of their curls is improving. Many have very thin necks. Their arms are getting slightly shorter, with marginally narrower hands. Waists and hips are more slender. Second skins are cotton or linen cambric, and usually white.
From 1861, until the patent label dolls appear in 1873, the faces of the dolls continue to be rounded, although many have a flatter lip area and less deeply set eye molding, with wider foreheads. The lines around the eyes thicken and are mostly painted black. Eyes still have lighter highlights, but now the highlights travel higher up the right side of the pupil. Ringlet curls are better shaded and more delicately painted. Arms and fingers shorten slightly again. More cotton is being used for second skins, both in cambric and other fabrics, which often dip down to a V at the center of the chest. Most of the examples of rare blue body covering that I have seen fall in this time frame. Shoulders are often wider.
1873 – 1888. Izannah Walker makes dolls with molds that include the shoulders and upper body.
Izannah Walker’s dolls have had long and eventful lives. Numerous things have happened to them since they were first made by the Walker sisters and their aunt. Many of the dolls have been either partially or completely repainted, some have replaced limbs and second skin body coverings. Along the way, they have lost and acquired pieces of clothing. All of these occurrences sometimes make it difficult for collectors to determine exactly what parts of the doll are original, or are later additions and repairs.
Some collectors have speculated that Izannah Walker may have made portrait dolls. It is my personal opinion that she might have painted a certain hairstyle and/or coloring to reflect that of a particular child, but that she would not have created commissioned “portrait” molds. Altering the way the doll was painted is a relatively minor matter. Making a new mold would have been a costly, time consuming process, which would have resulted in an incredibly high price for a toy doll.
At this point, no one knows exactly how and by whom the positive images for the doll molds were made. Izannah’s patent information states, “In the construction of my doll I usually employ a press, A, of ordinary construction, provided with upper and lower dies, of suitable shape, to form the front and back of the face, neck and chest, and sometimes the body of the doll”. In order to create a sand cast mold for the metal (probably cast iron) dies, it would have been necessary to compact sand around a model, or “pattern”. A pattern is a replica of the object to be cast. It can be made of wood, metal, or other materials.
Reuben Harlow Neal Bates, born in Attleboro, Massachusetts in 1802, is known to have made dolls similar to those of Izannah Walker. It is believed that his dolls were never offered for sale, but at least one example of his doll, along with the cast iron molds for its head and the sewing pattern for the doll’s body were passed down through his family. He was a pattern maker all of his working life. Bates appears in the Providence, Rhode Island censuses for 1850, 1860, 1870 and 1880. A photograph of the Bates doll and accompanying molds appear on page 39 of Janet Johl’s 1952 book, Your Dolls and Mine. The body of the doll was described as being well made and covered with blue cloth. Two Reuben Bates doll head molds, one female and one male, have been in the collection of the Rhode Island Historical Society since 1987. The accession information for the two molds states: “ca. 1850, Bates, Reuben Harlow Neal, 1802-1891 (Metalworker), Iron doll head mold, front of head (face) only. Originally thought to be made by Izannah Walker, mold was made by Reuben Bates of Providence, a longtime friend of Izannah Walker’s and a patternmaker for the Barstow Stove Company. Dimensions for the female mold are 1.5 x 4.25 x 3.125 inches, and 1 5/8 x 4 1/8 x 3 inches for the male”. Theoretically, it is possible that Reuben Bates may have made the patterns (three dimensional models) and molds’ for Izannah Walker’s dolls, according to her sketches and specifications. If Izannah Walker met Reuben Bates after she moved to Rhode Island 1850 – 1853, and he began making the patterns for her dolls, that would explain the rather dramatic change in their heads and faces.
In the 19th century, New England and New York had many innovative and enterprising cloth doll makers. It is interesting to note that dolls similar to those made by Izannah Walker and her family were being made in Rhode Island during the same period. I own a mid-19th century cloth doll with a painted stockinette face that descended through a family from Providence, RI. Her maker is a mystery and she is needle-modeled, so not constructed in the same manner as an Izannah Walker doll, but she does have a very similar appearance. I also have a second needle-modeled doll that shares a remarkable number of features with my “mystery doll”; unfortunately I do not have a provenance for her. This second mystery doll was previously owned by Estelle Patino and is shown on pages 21 and 73 of her 1988 book, American Rag Dolls Straight From The Heart. She identifies it as a “20” 1870’s Oil Painted Rag? Izannah Walker” and as a “20” Possible Early Izannah Walker”.
No one has yet been able to find a way of identifying exactly which dolls may have been made by Izannah Walker, Jane Walker or Jane Hintz. Naturally there would be some differences between their works. Did they each make dolls from start to finish, or did they divide their doll making chores among the three of them? I am confident that additional research of Izannah Walker, her family, and her dolls will unravel this mystery and will continue to add to the story of these amazing women doll makers.
Izannah Walker Timeline
1817- Izannah Walker was born September 25, 1817. She was the third and youngest surviving child of Gilbert Walker and his third wife Sarah (Sally) Swasey. Izannah had six older half-siblings from Gilbert Walker’s marriage to his second wife (who died in 1808).
1824 – Izannah and her older sisters, Ann Richmond Walker and Jane Hintz Walker, go to stay with their mother’s family at the family homestead in Somerset, MA.
1825 – After their mother and infant brother died, followed shortly by their father’s death, the three orphaned girls continued to stay with their maternal relatives. The Swasey family included their aunt Jane and her husband, Captain Anthony Hintz, who were childless. The Hintz’s had purchased the Swasey family home and property from Jane Swasey Hintz’s parents. The elder Swasays, Capt. and Mrs. Hintz and the three Walker sisters lived together in Somerset, MA on the Swasey homestead, which had been in the family for nearly a century.
1839 – Capt. Hintz writes his will, leaving the original Swasey homestead and adjoining orchard to his wife, Jane Hintz. He stipulated that after Jane’s death, the estate should go to their nieces, Jane and Isannah Walker. (Izannah’s name was often misspelled throughout her life.)
1845 – Izannah’s neice, Mary Helen Smith Holbrook, was born in New London, CT in 1843. In later years, Mary’s daughter, Helen Holbrook Robertson, stated that her great-aunt Izannah began making dolls as early as 1845 when Helen’s mother, Mary Helen Smith Holbrook, was a child.
1850 – 1853 – Sometime during this period, Izannah leaves Somerset Village, MA and moves to Central Falls, RI.
1855 – A doll is purchased from Izannah Walker for young Martha Jenks Wheaton Chase, who was born in 1851. A photograph of a letter, written by Martha Chase’s daughter, Anna M. Chase Sheldon, stating that her mother’s doll was purchased from Izannah Walker in 1855 is included in “A Treasure Indeed” by Grace Dyar, published in the UFDC Region 14 1981 souvenir booklet “Memory Lane”.
1865 – The Rhode Island State Census lists Izannah Walker’s occupation as “Doll Maker”.
The Massachusetts State Census shows Jane Walker and Jane Hintz (Izannah & Jane’s aunt) as “Doll Manufacturers”.
1860’s – At the March 18, 1957 meeting of the Somerset (MA) Historical Society, Flora B. Wood presented a paper about her mother, Augusta Louise Marble, who was born in Somerset in 1861. Excerpts from Flora B. Wood’s paper were reprinted in The Spectator newspaper on October 26, 1994. “When my mother was a little girl in the 1860’s many of the little girls of Somerset had a Jane Walker doll. I have a picture of my mother holding one. They were handsome and lifelike and made by Miss Jane Walker, who lived on Main Street in the Village. They were made in several sizes and sold for up to 10 dollars.” The U.S. dollar experienced an average inflation rate of 2.12% per year between 1861 and 2017. $10 in the year 1861 is worth $264.18 in 2017.
1873 – On June 12, 1873, Izannah Walker applies for a United States patent for an invention related “to the manufacture of dolls; and it consists, mainly, in the secondary or double stuffing next the external or painted layer, whereby, with a sufficiently soft surface, the tendency of the paint to crack or scale off is obviated.” Her patent is granted on November 4, 1873.
1845 – 1886 Izannah’s great- niece, Helen Holbrook Robertson, was quoted in the In the 1952 book Your Dolls and Mine by Janet Johl, as saying “From 1845, when the first doll is said to have been made, until she died in 1886 (her actual date of death was 1888) , Izannah Walker carried on the business, not securing a patent until persuaded to do so by friends in 1873.” Additional information that Helen Holbrook Robertson related to mid-20th century doll collector, Lila Singsen, whose conversation was reported in Your Dolls and Mine, was that the earliest dolls were made for friends, and that as the business grew, Izannah put her three sisters to work painting the dolls’ faces.
1888 – On February 15, 1888 Izannah Walker dies of consumption, now known as pulmonary tuberculosis. She is buried, alongside her best friend Emeline Whipple, in Swan Point Cemetery in Providence, RI, which is not far from her final home in Central Falls, RI.
1899 – On October 6, 1899, Jane Hintz Walker dies and is buried in the Palmer Street Cemetery in Somerset, MA. According to cemetery records, Jane purchased her own burial plot. There is a four-sided monument on Jane’s grave that includes the birth and death dates of her grandparents, Jerathmel Bowers Swasey and Sarah Hellon Swasey, her aunts Parthenia Palmer Swasey and Jane Hellon Swasey Hintz, her uncle by marriage Anthony Hintz, her parents Gilbert Walker and Sarah Swasey Walker, and two of her siblings Anthony Hintz Walker (age 11 days) and Izannah Frankford Walker.
Copyright 2017 Paula Walton All Rights Reserved
This article originally appeared in the September 2017 issue of Antique Doll Collector Magazine. The magazine sold out almost immediately upon publication. Print copies are occasionally available on eBay and a digital copy, which includes all of the original photographs, may be purchased from https://www.antiquedollcollector.com/
Paula Walton is a former museum director and curator who has been recognized 40 times as one of the top traditional craftpersons in America. Her specialties include doll making, reproduction clothing, 18th & 19th century women’s decorative arts, and the restoration of painted cloth dolls and textiles. Contact her at firstname.lastname@example.org, 860-355-5709. For information about the Jenny Lind Doll show and exhibit featuring an Izannah Walker doll in original clothing see http://www.jennylinddollshow.wordpress.com/. A bibliography for the sources used in this article is posted on http://www.izannahwalker.com.
As part of this year’s festivities I thought it might be nice to show you a detailed look at one of my antique Izannah Walker dolls. I hope you enjoy it ❤
Tilly Lamb and I made this video while the birthday cake was in the oven. Here is the recipe so that you can bake a Rose Geranium Pound Cake to serve at your own birthday tea. ~
Rose Geranium Pound Cake
1 1/2 cups butter
1 pkg. (8oz.) cream cheese
3 cups sugar
3 cups flour
pinch of salt
3 tsp. vanilla
1/4 tsp. rose water
organic rose geranium leaves
Butter and flour, or spray a 10 inch tube pan with non-stick cooking spray. Arrange washed and dried rose geranium leaves, top side down, in the bottom of the pan. Cream butter & cream cheese. Add sugar and cream well. Add eggs one at a time and beat well. Stir in flour and salt. Add vanilla.
Carefully spoon batter into a 10 inch tube or bundt pan. Start with a cold oven and bake at 300 degrees for 2 hours.
Stir powdered sugar, vanilla and a bit of milk together, to make a glaze, and pour overwarm cake.
Welcome! We are so glad you could join us for tea this afternoon ❤ Charlcie is in the kitchen, putting the finishing touches on the cake, and the rest of the dolls are gathered in the parlor. Please make yourself at home. Izzybelle will introduce you to our other guests. Tea will be ready soon!
Thank you for coming to our birthday tea! We hope you had a lovely time ❤ You may click on any individual image to enlarge it. The dolls and I will be back in the morning at 9:00 a.m. EST as our Izannah Walker Birthday celebration continues…
Today is the 202nd anniversary of the day Izannah Walker was born on September 25th, 1817. ❤
Every day for the next week all of my Izannah Walker dolls and I will be celebrating Izannah’s birthday. Today the dolls woke up early to bake a birthday cake, so that it will be ready in time for their tea party at 4:00 p.m. Eastern Time today. While they wait for it to bake, Ismay has gathered her sisters together. She is reading them a story to pass the time…
Izzybelle and the Runaway Tomatoes
Once upon a time, not so very long ago, there was a little girl named Izzybelle. She was a very helpful little girl and one of her very favorite places to help was in the garden. Izzybelle liked everything about gardening, planting, watering and even weeding… but her most favorite thing of all was when it came time to pick the juicy colorful tomatoes!
One day when Izzybelle was bringing the tomatoes in from the garden, a few of the pretty little tomatoes rolled off of her cart… Izzybelle stopped and picked up the red egg shaped tomato, then she searched until she found the roly poly purple tomato, but she just couldn’t find the teeny tiny yellow tomato, no matter how hard she looked.
While Izzybelle was hunting for the other two bigger tomatoes, the littlest yellow tomato rolled… and rolled, and rolled some more for good measure. Finally the little yellow tomato came to a stop, right in front of a small, brown striped chipmunk. The chipmunk was so surprised that it had to leap a bit in fright! Seeing the chipmunk startle in fear, the tiny yellow tomato began to quiver back and forth, because now it was afraid too! Before you know it all that quivering made the small tomato start rolling all over again. Eventually it tumbled over into a flower bed, where it was found by a mama bird. “Oh look, a small yellow tomato!” said Mama Bird. “It is just the right size to fit in my beak” she said to herself. “I shall take it home to feed my babies”.
So Izzybelle was never able to find the littlest yellow tomato, and over the winter she forgot all about it, until spring came… Then surprise!!! Her friends the birds had planted the seeds of the small yellow tomato all over everywhere!
Izzybelle’s sisters are all strongly suggesting that she confines her tomato gardening to pots in the greenhouse next year…
Izzybelle’s sisters are all strongly suggesting that she should confine her tomato gardening to pots in the greenhouse next year… 🙂
To read about the beginning of little Izzybelle’s adventures with the tomatoes, please click here to be taken to a post from last year’s Izannah birthday celebration❤
What a good story…. Mmmm, I think I smell something delicious! The cake must be done! Time for the dolls to stir together the icing and set the table for our birthday party ❤
The birthday tea party is starting at 4:00 p.m. Eastern Time this afternoon. We’ll save you a chair ❤ ❤ ❤
I’ve been working away here in my studios, preparing for one of my favorite times of the year, my annual Izannah Walker birthday celebration. It is always a special event here in the doll’s house, as the dolls and I make time to simply play and enjoy the very special dolls that Izannah Walker created.
My Izannah birthday celebration changes a bit from year to year, but always features my collection of antique Izannah Walker dolls, plus some of the dolls I reproduce from her originals.
This year there will be a bit of make believe, a scoop of education, a cupful of beautiful photos, and a pound of fun, all stirred up with a pinch of magic! … oh yes, and cake, lots and lots of cake! ❤ Introductions to some of the new dolls I’m making, just for this celebration, will also be sprinkled in throughout the week, just like decorations on top of a birthday cake ❤
So please come visit everyday next week as the dolls and I share our birthday party with you!
Last year I had the opportunity to meet a very special person. Her name was Delores Smith. She was a quietly passionate doll lover, who not only collected, but created stunning clothing and accessories for her dolls. Many of you may have known her through her job at Withington Auctions, where she was the doll specialist for 20 years. ❤
Delores asked me to make a reproduction Izannah Walker doll for her, based on Ella, a c. 1857 doll that she purchased in 2008 and later sold to another collector. The original Ella is a wonderful doll! Delores and I had such fun discussing all the little details of the doll I created for her. Together we sat down and looked through a box of antique fabrics that Delores had collected, weighing the pros and cons of each piece and finally deciding which should be used for the new doll’s dress. Delores was such a delight to work for and I think she enjoyed our discussions about her doll as much as I did.
There is a lovely article about Delores and her doll collection in the May issue of Antique Doll Collector magazine, which also tells the story of how she acquired the original Ella and a bit about the reproduction that I made for her.
On Thursday and Friday Withington Auction will be selling Delores’ amazing collection.